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As writers, they dwell on what possibilities there are for navigating politics and literature, thus promoting their own legitimacy by way of self-analysis. By appropriating and subverting the socially imposed position of the subaltern, these writers affirm themselves as subjects of their discourse, a way of subverting mainstream perceptions about blacks and challenging objectification, exoticism and stereotyping.
Miriam Alves, the first female poet to be a part of Quilombhoje, sets the stage for ideological confrontation between her feminist agenda and the male-dominated sphere. The advent of affirmative action, the rise of Black Studies, and the incorporation of African and Afro-Brazilian studies into the education and university curricula are the result of endeavors such as Cadernos Negros and Quilombhoje, even as questions remain about their future mission and direction. Portuguese Expansion and the Writing of Africa.
Minneapolis, MN: University of Minnesota Press, Portuguese Expansion and the Writing of Africa deals with Portuguese textual constructions of African bodies from the first Portuguese incursions onto the continent in through the rounding of its southernmost tip by Vasco da Gama in The first chapter situates the reader in an Africa that is concurrently familiar and strange to early modern European eyes.
By the time of the first Portuguese campaigns into Africa, those bodies and spaces had been filled with the continuation of Reconquest discourse, this time as a penetration into geography beyond the confines of the Iberian Peninsula. The physical and cultural proximity of Iberia and Africa undoes the distance necessary for a traditionally eroticized Orientalist view of Africa and instead falls into a messier paradigm of cross-cultural and proto- racial relationships.
Africa, in this vision, is at once a space and destination and a mere stop on an Indies-oriented itinerary. Nevertheless, Blackmore contends, the very act of imperial expansion, by creating and occupying places of strangeness, disrupts the stable orthodoxy of patria. By gaining familiarity with Africa over the course of the fifteenth and sixteenth centuries, the Portuguese banished the possibility of being able to view Africa as a diametric Other.
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Blackmore identifies the moment of the turn around the Cape of Good Hope as when the European gaze loses its power as the basis of epistemological authority. The slippage created by this recognition of self in an Other within an epic poem committed to the glorification of Portuguese imperial expansion disrupts the ineluctability of that project and drives home the ambiguity carried in the one hundred and twenty-five years of textual production glossed by Moorings.
Moorings provides a remarkable, illuminating vision of European encounters with Africans that leaves the reader with no doubts about the importance of these texts to a broader understanding of European colonialist enterprises.
The author deftly makes his way through a century and a half of discursive empire building, leading his audience past pitfalls of simplistic binaries to what one hopes is an embarkation point for more similarly adroit and elucidating studies.
Visual and Literary Negotiations of the National Text, University Park, PA: The Pennsylvania State University Press, One of the considerable merits of this book is its in-depth exploration of diverse forms of cultural production, visual as well as verbal, from ephemeral public spectacle, through architecture and public art, to literary fiction and autobiography. The critical spotlight falls here on the intense debates and negotiations that resulted from the increasingly incompatible claims of, on the one hand, the aesthetics of internationalist modernism represented by the artists and, on the other, the conservative nationalist views of the government officials who commissioned and oversaw the projects which included a church and several maritime stations.
Anna M. Echoes from the Past, Pathways into the Future. University of Wales Press, The pigeonholing of Saramago as an enemy of religion, an intolerant communist and a betrayer of his country after moving to the Canary Islands; or as an anti-globalization hero, a paladin of human rights, and one of the last true upholders of the values of the Revolution—depending on the political colors of the critic in question—polarizes his potential readership and ultimately leads to a neutralization of both the literary innovations and the real social challenges highlighted in his texts, as these get buried under layers of media scandal.
Frier is also particularly attentive to intertextuality, a device employed by Saramago to create a thick web of literary and historical references often alluded to mockingly or ironically by a playful narrator. Frier meticulously enumerates the intertextual echoes of key passages in order to show how the writer appropriates the ugly underside of a conservative and oppressive tradition that is handed down unquestioningly in society, all the while rewriting parts of this tradition by embedding it in his texts.
The fleeting references to the Gramscian theorization of the role of the intellectual in Chapter Two leave a number of questions unanswered. In Chapter One, Frier acknowledges that Saramago privileges Marxist ideologemes 31 , but the discussion of economic relations, resistance, alienation and power sections 2, 4, 5 and 6 of the chapter, respectively barely includes any allusions to the Marxian theory where these terms originated, let alone an account of how Saramago creatively refashions Marxist thought in his fiction.
Deriva, Newburyport, MA: Focus Publishing, The discussions proposed in the oral exercises are meant to elicit opinions about relevant topics and to provide tools for the development of coherent and cohesive texts ix.
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Among these tools is the brief grammar review, as well as vocabulary and style exercises that can be carried out individually or in groups xi. Even though the book is written in Brazilian Portuguese, the authors call attention to the European norm even if briefly when the two differ, for example in object pronoun placement Following the exercises in Partes A, B and C, each chapter brings brief grammar reviews with corresponding exercises.
Then, figures of speech figuras de linguagem —two or three per chapter—are introduced. The grammar-review section, as mentioned above, is normally short.
Instructors may wish to add activities that allow for creative language use, perhaps as homework, since the grammar exercises in the book tend to be drills and fill- in-the-blanks. Some writing activity e.
Introducing figures of speech seems very appropriate for advanced students who can use them in their original texts. The extended writing exercise immediately follows the figure-of-speech practice, but there is no overt suggestion that the learners include those figures of speech in their texts although that application seems to be implicit. To be sure that learners actually use them, instructors may wish to expand the directions for the writing practice.
Learners might be instructed to include in their texts not only the figures of speech studied, but also the grammar points reviewed, especially if little or no extra grammar practice is provided. While this is an excellent idea for creative writing, learners may end up practicing only one writing style. It provides language practice while exploring cultural aspects of Brazil and many other places.
The emphasis on comparison and contrast invites learners to think critically about their culture, an ability that cannot be overlooked in foreign language pedagogy.
Silva University of Massachusetts Dartmouth Related Papers. By Micah K Donohue. Constructing Prestige and Visibility: By Margarida Rendeiro.
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Sierra Leone. Slovak Republic.Then, figures of speech figuras de linguagem —two or three per chapter—are introduced. The scope of the persons or things to whose most-favoured-nation treatment the right of the beneficiary State extends under a most- favoured-nation clause is confined to the class of persons or things expressly specified in the clause or in the treaty containing it or implicitly indicated by the agreed sphere of relations where the clause applies. Bosnia and Herzegovina.
Thus, from a specific case we seek to understand how the arbitral tribunal of the International Centre for Settlement of Investment Disputes - ICSID, applied the clause in the arbitration proceedings proposed by the Siemens A. The critical spotlight falls here on the intense debates and negotiations that resulted from the increasingly incompatible claims of, on the one hand, the aesthetics of internationalist modernism represented by the artists and, on the other, the conservative nationalist views of the government officials who commissioned and oversaw the projects which included a church and several maritime stations.
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